Monday, 25 June 2007

Oh, You Really Were The Bomb

Hello again. Three tracks today from bands whose most recent albums I have been enjoying very much.
First up are the Silversun Pickups, a US band who I first saw/heard on Jools Holland. Since then I picked up debut album Carnavas and I think this is the best track. Also looking forward very much to their Reading performance in the Carling tent: Lazy Eye


Secondly, a brand new album out today (25/6/07) in the UK, it is New Young Pony Club, a band that made the end of year Top 20 in singles last year. I think the album is fantastic and that absolutely everyone should go and buy it...This track is the most recent single: The Bomb


Finally we have Client. Three exceptional ladies, including Dubstar's old singer (yay, Dubstar!) making electro-minimalist tunes. Heartland, their third LP came out earlier this year and I reckon this is the standout: Monkey On My Back

Download:
Silversun Pickups - 'Lazy Eye'

New Young Pony Club - 'The Bomb'

Client - 'Monkey On My Back'

Thursday, 21 June 2007

Hooray (I Think)

I wanted to start audioblogging, but it has taken me nearly two hours to link to one sodding file...

That file is a stomper called 'D.A.N.C.E.' by Justice.

Thursday, 14 June 2007

Pet Shop Boys Live Review

The Pet Shop Boys, London Hammersmith Apollo, Wednesday June 6th

I had waited a long time for this gig, somehow I've managed to miss Messers Tennant and Lowe every time they'd been playing. The gig at Eden was an option, but Dave, a friend of Dave's from Uni Moira and myself plumped for this one instead. The Apollo isn't exactly heaving outside, and inside is little different. It made a change to be made to feel young at a gig though, we spent a length of time attempting to spot gig-goers younger than us to pretty much no avail.
With no support act to stand through, the lights went down at approximately 8:30 and a flourescent cube lit up from centre-stage. Two dancers emerged, followed by two backing singers eventually followed by the PSBs, who charmingly met in the middle, shook hands and took up their positions. Starting up with 'We're The Pet Shop Boys' the first touch of perfection came from 'Left To My Own Devices'. Equal parts epic and poptastic this for me, surprisingly early on in the set, was the definite highlight.
As if to remind the audience of their immaculate back catalogue, the early part of the show contained uber-hits 'Can You Forgive Her?', 'Shopping', 'Rent' and 'Heart' interspersed with recent singles (and much improved live) 'I'm With Stupid' and 'Minimal'. The dancing throughout the gig was superb (on-stage that is!) and the backing singers, especially Sylvia Mason-James, who during 'Where The Streets Have No Name/Can't Take My Eyes Off You' wore two hats! Two hats! She had the kind of voice that, as soon as she lets rip, sends shivers up and down your spine. She was probably at her best at the end of 'West End Girls'.

Everything about the show was pretty damn spot-on, Tennant was on great vocal form, the music didn't miss a beat, the backdrop, choreography and lighting were all perfect. It was also a decent crowd and when the show hit it's camp high-spots 'Paninaro', 'Flamboyant' and set-closer 'Go West' the feeling of fun was overpowering. In fact, it was probably the most 'fun' I've ever had at a gig.
I worry about saying that the gig was 'fun' though, because it seems to belittle the musical achievements the PSBs have hit over the years. At frequent points during the evening the audience was treated to bursts of absolute musical perfection; sparkling pop gems, hi-NRG dance classics, tender ballads. I loved it. Best track 'Left To My Own Devices', overall 9.5/10.

Tuesday, 12 June 2007

I Said Yeah! Yeah! Yeah!

UNKLE confirmed as Dance Stage headliners! A live set! Oh My Motherfucking Gawd. Hooray!

So, Mr Lavelle please play in this order:

Beethoven's 9th/2nd Movement Scherzo Remix
Reign
Be There
Lonely Soul
Eye For An Eye
What Are You To Me?
Burn My Shadow
The Knock
Drums of Death
In A State
Rabbit In Your Headlights

Oh, Mervyn, you have made one man very, very, very happy.

Wednesday, 6 June 2007

Top 20: It Ain't Changed Much!!

20. 'All My Friends'
19. 'Down For So Long'
18. 'Destroy Everything You Touch'
17. 'California Soul'
16. 'Kill All Hippies'
15. 'And I Was A Boy From School'
14. 'Atlantis to Interzone'
13. 'Live In Sunshine'
12. 'Head'
11. 'Faraway'
10. 'Monster Hospital'
9. 'Over And Over'
8. 'Alala'
7. 'Someone Great'
6. 'Heart Of Hearts'
5. 'Swastika Eyes'
4. 'Shoot Speed / Kill Light'
3. 'Whoo! Alright-Yeah...Uh Huh'
2. 'Pass The Hatchet I Think I'm Goodkind'
1. 'Let's Make Love And Listen To Death From Above' - CSS

Live Review: Wallis Bird / Lee Gordon Trio

A random one, this. Karen knew by association one of the members of the band playing second on the bill, the Lee Gordon Trio. Off to Earl's Court to a little place called the Troubadour (below), strangely placed below a restaurant. Once there, two drippy Irish singer-songwriters bored the pants off everyone present. Upon reading the guff distributed throughout the venue I noticed that both these singers had been signed by Island Records: why?! Completely immemorable. Both 1/10.
The Lee Gordon Trio were an interesting mix of acousto-electric guitars, a double bass (see below!) and drums. They kicked out some cool tunes, including a nicely rewrought version of 'All Along The Watchtower'. I think the singer had problems with his voice but he seemed to do well enough, if sounding a little too Americanised at times. It was great to see a double-bass in action though. To me they sounded a bit like Jimmy Eat World...I'll let you blogosphere readers decide if that's a good or bad thing. 6/10 but with potential.
Last on was a strange girl, blessed with the Irish gift of the gab. Backed by a tight (German!!) rhythm section and joined occasionally by a backing singer/violinist, Wallis Bird was a real unexpected treat. The songs wavered from jamming funk'd up tunes, to real low-beat ballads. At one point she announced 'Are you ready to rock?!' quickly followed by 'Not really, this is a ballad. Oh no, not a fucking ballad' she teased. But seriously; her band was exceptional, the bass pinning people to the walls of this tiny venue. The last track was an absolute killer, one of the best new songs I've heard this year. I think it was called 'Go On Home' but could just as easily been called 'Your Daddy Is A Liar'. An !!!-inspired break down was both preceded and followed by a raucous chorus, I can't wait to get my hands on this on record. 9/10 and one of the finest small venue sets I've ever seen.

Tuesday, 8 May 2007

Purchases 24th April - 8th May

The Decemberists - 'The Crane Wife', 2006, Download, 10 tracks, Capitol
I first heard this band on an indie album chart show on 6music back in 2005. The name kind of stuck in my head, and coupled with consistently good reviews across the board, the band stayed on my radar. I'm glad they did as 'The Crane Wife' is pretty good. I love the way that seemingly humble instruments are massed to sound epic, in a kind of 'New Adventures In Hi-Fi'-era R.E.M. did. There's also hints of Placebo in here, along with persistent name-droppers Belle & Sebastian. I've only heard this a few times, so the track names are not sticking out at me yet, but certainly the epic three-parter 'The Island' is a belter. This is a consistently good album, and yet another band to add to the 'further investigation' pile. Best track: 'The Island', overall 7/10.

Saint Etienne - 'Good Humour' 1998, CD, 11 tracks, Creation, £2.00, MVE Notting Hill
A definite piece of back-catalogue collecting here, putting in the last remaining articles in the Et's collection. Really, this is more of the same from Cracknell, Stanley and Wiggs. There's nothing on here as good as 'He's On The Phone' or the classic 'Only Love Can Break Your Heart', but instead is filled with more fluffy synth-pop numbers seemingly designed to lift you from everyday city life. But Saint Etienne do this so well, and the album works, as do most of the rest. You have to be in the mood for such sugary treats, and with summer coming that mood will take hold more and more often. Best track: 'Sylvie', overall 7/10.

Black Box Recorder - 'Facts Of Life', 2000, CD, 13 tracks, Jetset, £2.00, Soul & Dance Exchange, Notting Hill
I have always wanted this album, but have never found it cheap. Far better than it's successor 'Passionoia' this album contains the solid gold pop gems 'The Art of Driving' and the title track. The rest of the album deals with typical BBR subject matter, sheer Englishness (before the binge-drinking Burberry madness that constitutes national identity in 2007) in the form of our wet summers, useless motorway systems and bad sex education all delivered with Sarah Nixey's inimitable bored tone. Genius. Best track 'The Facts of Life', overall 8/10.

Album Leaf - 'Into The Blue Again', 2006, CD, 10 tracks, Sub Pop, 50p, MVE Notting Hill
Bit of a strange one this. I bought this after hearing it playing downstairs in the main music exchange. The opener is a real haunting, cinematic piece hugely reminiscent of Craig Armstrong. The rest of the album is less dramatic and certainly more wistful...like an acoustic Air. Upon doing a bit of research it looks like this artist is akin to Sigur Ros, and that the back catalogue is more worthy than this, his most recent album. I'll have to check the rest of it out methinks. Best track: 'The Light', overall 7/10.

Rolling Stones - 'Let It Bleed', 1969, Download, 9 tracks, London
A bona-fide classic, and so far the favourite of the Stones albums I own. Every track on this has really stood the test of time, from the deep-burn of opener 'Gimme Shelter', blues shamble of 'Country Honk' through to the epic closer 'You Can't Always Get What You Want'. For me, the desire for this album came out of my love for the opener. 'Gimme Shelter' resides comfortably in my top 10 cuts of all time due to it's winding melody, impending sense of social collapse, fraught lyrics and emotive wails of guest vocalist Merry Clayton. Most of the rest of the album sees Jagger and co returning to rock's blues roots to great effect, although for me the album is overshadowed slightly by the sublime opener. Best track 'Gimme Shelter' (surprised?!), overall 9/10.

Manic Street Preachers - 'Send Away The Tigers', 2007, Download, 10 tracks, Columbia
A return to form from the Manics? No. This album whilst not quite continuing the downward trend experienced since the classic 'Everything Must Go' sees the band scrabbling for a return to the sonic bluster of that era. Lead-off single 'Your Love Alone Is Not Enough' is poor, even with the lyrical talents of moonlighting Cardigans warbler Nina Persson. Other tracks, whilst hunting for the classic buzzsaw Manics sound, come off more like stadium rockers Aerosmith, or U2, see 'Autumnsong' and 'The Second Great Depression'. There are some good tracks on here, opener and title track 'Send Away The Tigers' punches it's own weight, and 'Imperial Bodybags' is classic proto-political Nicky Wire. To put the album as a whole into some sort of perspective, it is far better than 2004's disastrous 'Lifeblood', although that shouldn't be that hard. Hopefully this will have some longevity to it, for example 'Know Your Enemy' has aged well and I still enjoy it now...whereas I'll probably never listen to 'Lifeblood' ever again. The album's artwork is also a bit dodgy...I mean Severn Bridge...Richie Edwards...tchhhh. Best track 'Send In The Tigers', overall 6/10.