Tuesday, 8 May 2007

Purchases 24th April - 8th May

The Decemberists - 'The Crane Wife', 2006, Download, 10 tracks, Capitol
I first heard this band on an indie album chart show on 6music back in 2005. The name kind of stuck in my head, and coupled with consistently good reviews across the board, the band stayed on my radar. I'm glad they did as 'The Crane Wife' is pretty good. I love the way that seemingly humble instruments are massed to sound epic, in a kind of 'New Adventures In Hi-Fi'-era R.E.M. did. There's also hints of Placebo in here, along with persistent name-droppers Belle & Sebastian. I've only heard this a few times, so the track names are not sticking out at me yet, but certainly the epic three-parter 'The Island' is a belter. This is a consistently good album, and yet another band to add to the 'further investigation' pile. Best track: 'The Island', overall 7/10.

Saint Etienne - 'Good Humour' 1998, CD, 11 tracks, Creation, £2.00, MVE Notting Hill
A definite piece of back-catalogue collecting here, putting in the last remaining articles in the Et's collection. Really, this is more of the same from Cracknell, Stanley and Wiggs. There's nothing on here as good as 'He's On The Phone' or the classic 'Only Love Can Break Your Heart', but instead is filled with more fluffy synth-pop numbers seemingly designed to lift you from everyday city life. But Saint Etienne do this so well, and the album works, as do most of the rest. You have to be in the mood for such sugary treats, and with summer coming that mood will take hold more and more often. Best track: 'Sylvie', overall 7/10.

Black Box Recorder - 'Facts Of Life', 2000, CD, 13 tracks, Jetset, £2.00, Soul & Dance Exchange, Notting Hill
I have always wanted this album, but have never found it cheap. Far better than it's successor 'Passionoia' this album contains the solid gold pop gems 'The Art of Driving' and the title track. The rest of the album deals with typical BBR subject matter, sheer Englishness (before the binge-drinking Burberry madness that constitutes national identity in 2007) in the form of our wet summers, useless motorway systems and bad sex education all delivered with Sarah Nixey's inimitable bored tone. Genius. Best track 'The Facts of Life', overall 8/10.

Album Leaf - 'Into The Blue Again', 2006, CD, 10 tracks, Sub Pop, 50p, MVE Notting Hill
Bit of a strange one this. I bought this after hearing it playing downstairs in the main music exchange. The opener is a real haunting, cinematic piece hugely reminiscent of Craig Armstrong. The rest of the album is less dramatic and certainly more wistful...like an acoustic Air. Upon doing a bit of research it looks like this artist is akin to Sigur Ros, and that the back catalogue is more worthy than this, his most recent album. I'll have to check the rest of it out methinks. Best track: 'The Light', overall 7/10.

Rolling Stones - 'Let It Bleed', 1969, Download, 9 tracks, London
A bona-fide classic, and so far the favourite of the Stones albums I own. Every track on this has really stood the test of time, from the deep-burn of opener 'Gimme Shelter', blues shamble of 'Country Honk' through to the epic closer 'You Can't Always Get What You Want'. For me, the desire for this album came out of my love for the opener. 'Gimme Shelter' resides comfortably in my top 10 cuts of all time due to it's winding melody, impending sense of social collapse, fraught lyrics and emotive wails of guest vocalist Merry Clayton. Most of the rest of the album sees Jagger and co returning to rock's blues roots to great effect, although for me the album is overshadowed slightly by the sublime opener. Best track 'Gimme Shelter' (surprised?!), overall 9/10.

Manic Street Preachers - 'Send Away The Tigers', 2007, Download, 10 tracks, Columbia
A return to form from the Manics? No. This album whilst not quite continuing the downward trend experienced since the classic 'Everything Must Go' sees the band scrabbling for a return to the sonic bluster of that era. Lead-off single 'Your Love Alone Is Not Enough' is poor, even with the lyrical talents of moonlighting Cardigans warbler Nina Persson. Other tracks, whilst hunting for the classic buzzsaw Manics sound, come off more like stadium rockers Aerosmith, or U2, see 'Autumnsong' and 'The Second Great Depression'. There are some good tracks on here, opener and title track 'Send Away The Tigers' punches it's own weight, and 'Imperial Bodybags' is classic proto-political Nicky Wire. To put the album as a whole into some sort of perspective, it is far better than 2004's disastrous 'Lifeblood', although that shouldn't be that hard. Hopefully this will have some longevity to it, for example 'Know Your Enemy' has aged well and I still enjoy it now...whereas I'll probably never listen to 'Lifeblood' ever again. The album's artwork is also a bit dodgy...I mean Severn Bridge...Richie Edwards...tchhhh. Best track 'Send In The Tigers', overall 6/10.

This weeks (delayed) Top 20 tunes

20. LCD Soundsystem - 'All My Friends' (-6)
19. Kings Of Leon - 'Black Thumbnail' (New)
18. Ladytron - 'Destroy Everything You Touch' (-)
17. El-P - 'Tasmanian Pain Coaster' (New)
16. Marlena Shaw - 'California Soul' (-8)
15. Hot Chip - 'And I Was A Boy From School' (-)
14. Metric - 'Monster Hospital' (+2)
13. LCD Soundsystem - 'Someone Great' (+4)
12. Primal Scream - 'Kill All Hippies' (+1)
11. Klaxons - 'Atlantis To Interzone' (-1)
10. The Rapture - 'Live In Sunshine' (+2)
9. Sleater-Kinney - 'Faraway' (-)
8. Hot Chip - 'Over And Over' (+3)
7. CSS - 'Alala' (-)
6. !!! - 'Heart of Hearts' (-)
5. Primal Scream - 'Swastika Eyes' (-)
4. Primal Scream - 'Shoot Speed / Kill Light' (-)
3. The Rapture - 'Whoo! Alright-Yeah...Uh Huh' (-)
2. Yo La Tengo - 'Pass The Hatchet, I Think I'm Goodkind' (-)
1. CSS - 'Let's Make Love And Listen To Death From Above' (-)

Thursday, 3 May 2007

Yann Tiersen Live Review

Yann Tiersen Live Review, Sunday April 29th, King's Cross Scala
I had no idea what to expect from this gig. I knew of Yann through Dave, one of those obsessions that he has from time to time. I must admit that most of the songs he had played me previously had gone one ear and out of the other, with very little lodging in my grey matter. So, I thought, the composer of the Amelie theme and consipirator with the Divine Comedy would come up with some twee nonsense sung in French.

Wrong. The stage is set as if to confim my fears. A jet black accordion, two toy pianos and a violin join the usual bass, drums and guitars as we await (impatiently) for the arrival of the Gallic multi-instrumentalist. From the outset the noise of this tight band is tearing up the Scala, contorting with hordes of feedback and rolling basslines. My first thought is Mogwai being chased by Hope of the States...no bad thing and certainly very different to the songs I'd heard on record.
Two or three songs in and Tiersen takes up the violin. He doesn't just play the instrument, he thrashes it. Hairs flail from the bow as it is repeatedly sawn across the strings of the poor thing. The violin led tracks are, for me, the highlight of the evening. The noise is at times completely a-melodic and cacophonous, edging the crowd back half a step every time the bow is cut loose.

On the worded tracks Tiersen sings in a low, hushed tone perfectly suited to the French language, maybe in the mould of say, Serge Gainsbourg. However, I don't think these had the impact of the instrumentals. I thought they possesed a greater power, more immediacy and better sound than the 'songs'. We aren't treated to a great deal of toy piano or accordion action either, both limited to just one song at the back-end of the set. A great shame as both were immensely effective.
The major drawback of the set, and it is unfortunately quite a detrimental one, was that a vast majority of the songs were overlong. The same was true about the set itself, and the encore was almost completely unneccesary. A lot of the time, the indiscriminate wail of feedback or the crazed trashing of the violin began to grate long before the songs had run their course. The few tracks that were short were exactly the ones I felt needed more time to 'breathe' and be explored further. All this left me a bit disappointed and non-plussed. The rest of the crowd lapped it up, composed mostly of thick rimmed-spectacle wearers and fans of pullovers. The onset of the violing repeatedly left sections of the crowd in raptures and the silences that accompanied more tender passages were deafening.

I ended the gig feeling that maybe the five-piece setup wasn't the best way to hear these songs. And although I had been pleasantly suprised by the intensity of the performance, the length and similarity left me cold. Dave suggested that if Tiersen toured with an orchestral backing it could be well worth seeing, and I'd probably agree. For this performance I can only rate it 6/10. The best track 'The Courtier' one of the shorter violin pieces.